Henri Dutilleux’s Cello Concerto Tout un monde lointain () is so intimately wrapped up in his relationship with Mstislav Rostropovich, the work’s dedicatee. Dutilleux’s rapturous cello concerto written for Mstislav Rostropovich, is the highlight on this sensuous, stunningly performed disc. The music of Henri Dutilleux figured prominently in concerts of the National Symphony Tout un monde lointain? is one of the numerous concerted works.

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DUTILLEUX Cello Concerto “Tout un monde lointain”

The music is cast as a set of variations on the note theme heard at the outset and cross-referenced in each of the successive movements. Each of the five movements was inspired by the poetry of Monnde Baudelaire[1] and the overall feel of the work is mysterious and oneiric. Ironically, by the time Dutilleux began to write it, Markevitch had been replaced and the work was premiered by Rostropovich and the Paris Orchestra in Aix-en-Provence in The cello line is modal in character and stays in the instrument’s high register.

As the soloist plays, similar? Back Plan Your Trip. And in this strange and symbolic lkintain. You contain, sea of ebony, a dazzling dream of sails, of rowers, of flames and of masts Archived from the original on 3 December A phrase, modal in essence, often interrupted by silences or by slow pulsations from percussion.


The solo part was edited by Rostropovich and published with his fingerings, and his championing of the work eventually led to its being taken up by other cellists. In addition to the inscriptions from Baudelaire, Dutilleux has provided his own brief descriptive comments. Tout un monde lointain About the Work Composer: Compositions by Henri Rutilleux compositions Cello concertos Commissioned music Les Fleurs du mal in popular culture.

Large et ample ” The orchestra is treated in a sectionalized, pointilliste fashion. This theme is cross-referenced throughout the work. Les sages n’en ont pas d’aussi beaux que les fous!

Tout un monde lointain. . .,… | Details | AllMusic

Tout un monde lointain. The cello part was edited by the Russian cellist and published with his fingerings. These “Enigma,” “Gaze,” “Surges,” “Mirrors,” and “Hymn” suggest something of the atmosphere of the whole, but are not to be interpreted too literally. Les sages n’en pas d’aussi beaux que les fous!? Dutilleux took monee title from Baudelaire ‘s poem “La chevelure,” from which the individual titles of the xutilleux movements are also taken.

Tout un monde lontain; Metaboles; Mystere de l’instant.


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dutilelux Very free and flexible ” The line is printed in full on the title page of the score:. Mstislav Rostropovichthe cellist for whom the work was written, in Tout un monde lointain It ends with the soloist playing a high A, which is also the first note of the second movement.

Search Search Gift Shop cart Cart. The middle movement functions as a scherzo with an extremely difficult solo part. A relatively loointain epilogue in which materials from the preceding movements are combined. A cadenza-like introduction by the soloist punctuated by chords?

Share on facebook twitter tumblr. The music forms a long arch and ends on a reprise of the motif that opened the work.

Tout un monde lointain – Wikipedia

Wide and ample ” Authority control MusicBrainz work: Back Young Artist Program. Tout un monde lointain. A Whole World Distant? There are five movements. The last movement recasts some material from the preceding movements.